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TO THE WONDER tells the story of Marina (Kurylenko) and Neil (Affleck), who meet in France and move to Oklahoma to start a life together, where problems soon arise. While Marina makes the acquaintance of a priest and fellow exile (Bardem), who is struggling with his vocation, Neil renews a relationship with a childhood sweetheart, Jane (McAdams). Bold and lyrical, the film is a moving, gorgeously shot exploration of love in its many forms. Written and directed by Terrence Malick.(c) Official Site
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Movie Title : To The Wonder
Genre Movie :Drama,Romance
Mpaa Rating : R
Release Date : Apr 12, 2013 Limited

Actors :Ben Affleck,Olga Kurylenko,Rachel McAdams,Javier Bardem,Tatiana Chiline,Romina Mondello,Tony O'Gans,Charles Baker,Marshall Bell,Casey Rogers Williams,Jack Hines,Paris Always,Samaria Folks,Jamie Conner,Francis Gardner,Greg Elliot,Michael Bumpus,Lois Boston,Danyeil Inman,Bobby Davis Horsley

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Review For To The Wonder

What is most affecting is Malick's intent. He plainly devised the story to give him a series of panels for the expression of feeling.
Stanley Kauffmann-The New Republic

The movie plays like an undercooked pie that hasn't had enough time to cool and settle.
Rene Rodriguez-Miami Herald

Essentially it's an agglomeration of Malick's worst stylistic annoyances.
Peter Rainer-Christian Science Monitor

A thing of great beauty, but not much more.
Bill Goodykoontz-Arizona Republic

We should not be exiting a Terrence Malick movie with a shrug, but there it is.
Richard Roeper-Richard Roeper.com

Chary of exposition, meagre of plot, derisory of dialogue, indifferent to comprehension, it's a project that veers perilously close to self-parody.
Michael Posner-Globe and Mail

If you give yourself up to it, you'll be carried along-not knowing where you're going, and never really minding much either.
Will Leitch-Deadspin

Its ambitions might be slight, but its impact is more than slightly powerful.
Todd Jorgenson-Cinemalogue.com

Dialogue is reduced to impressionistic snatches and self-consciously poetic voice-over; the impressive cast have nothing much to do but exchange meaningful looks through windblown hair.
Keir Roper-Caldbeck-The Skinny

To the Wonder is built from shattered hearts, broken relationships and unanswered prayers, all better long since forgotten rather than pondered on film, yet again...
Tim Cogshell-Alt Film Guide

Terrence Malick is to light as Orson Welles was to shadow: the master.
John Beifuss-Commercial Appeal (Memphis, TN)

Indisputably comes off as a minor work on the heels of Malick's The Tree of Life but still holds enough of interest for the initiated.
Matt Brunson-Creative Loafing

Malick succeeds in creating his a separate reality, one drenched with longing and fear.
Boo Allen-Denton Record Chronicle (TX)

Trying to hold onto any part of it is like trying to catch meringue in a baseball glove.
Lawrence Toppman-Charlotte Observer

Fragmentary to the point of being formless and devoid of any motivation or momentum, it's the first of Malick's works to feel more like a sketchbook than a film.
Jason Anderson-The Grid

It looks great, the sound is interesting, the actors are doing what they are asked to do, but it didn't hit me the way The Tree of Life did. For fans only.
Alonso Duralde-What the Flick?!

Any half-serious filmgoers need to see "To the Wonder" for themselves; it remains the product of a fascinating mind.
Marc Mohan-Oregonian

If you have the ability to ignore Affleck, To the Wonder is a visual stunner, with a surprising transcendental enthusiasm for everything.
Richard von Busack-MetroActive

Gorgeous cinematography by Emmanuel Lubezki almost makes 'To the Wonder' worth seeing. Unfortunately, director/writer Terrence Malick fails to flesh out this drama with a plot we can follow.
Betty Jo Tucker-ReelTalk Movie Reviews

Malick, who is obviously unconcerned with his film's commercial success, continues to work with cinematographer Emmanuel Lubezki, and together they have grown immensely fond of long, lovely shots of nature.
Jeanne Kaplan-Kaplan vs. Kaplan

Malick's films are more self-indulgent than other filmmakers. He is enamored with his own camera work, and whether or not his subject matter is germane to the story is largely up to the viewer.
David Kaplan-Kaplan vs. Kaplan